STAGE TIME - Features
THE NEW YORK COMEDY EXPO
Pays Tribute to Richard Pryor and
Opens Doors For Comics
By Tasha A. Harris, Editor-in-Chief
The inaugural New York Comedy Expo
hosted a three-day event May 7-9 at
the NY Improv that provided
opportunities for comedians of all
levels to gain exposure to industry and
expand their education on the craft of
comedy.

Endorsed by Mayor Mike Bloomberg,
the Expo, which was organized in less
than six months, attracted talent from
all over the country and boasted an
impressive list of sponsors such as
MAD magazine, The Learning Annex,
Commerce Bank and NATPE.
Comic Tim Pulnik works the crowd at the New York
Comedy Expo.
Produced by NY Improv owner Marty Fischer along with associate producers Jan Smith and
Annmarie Cunningham, the Expo offered workshops ranging from stand up, improv and
comedy writing to working in the college market and pitching ideas to TV and film
executives. As an extension of the Original Las Vegas Comedy Festival, the Expo presented
the final round of the
Laugh Across America Contest, in which Mick Lazinski took home the top
prize. The Expo also had a few surprises. Award-winning comedian-actor Robert Klein signed
copies of his book,
The Amorous Busboy of Decatur Avenue and performed a 30-minute set.
Registrants received a tour of MAD magazine’s office
and were later invited to perform at the Play NY Improv
Stage where industry critiqued their sets. The Comedy
Cures Foundation hosted a luncheon/comedy show and
legendary comedians Soupy Sales and Professor Irwin
Corey signed copies of the new DVDs.

The Expo concluded with the dedication of the NY
Improv showroom to the late comedy pioneer Richard
Pryor. Richard Pryor, Jr. participated in the ribbon
cutting ceremony and belted out “Eyes of a Sparrow” a
capella in an emotional tribute to his father. Producers
of the Expo also handed out awards to industry
luminaries such as Silver Saundors-Friedman (owner,
Original Improv) Saranne Rothberg (ComedyCures),
Joey Reynolds (WOR Radio) and Al Martin (owner, NY
Improv) and comedians Professor Corey, whose
acceptance speech drew laughs. “I never trust a
president who doesn’t have a mistress.
Robert Klein and Marty Fischer
I’d rather he screw her than screw us,” he says.
He brings the house down with his closing one-
liner: “A redhead is like toilet on a Russian
ship.” After the awards ceremony, senior comic
Mickey Freeman kept the audience in stitches
with his classic stand-up routine.

Kevin Downey, Jr. resuscitated the restless
crowd with his laugh-out-loud, high-energy act
and ventriloquists Michelle LaFong and John
Pizzi delivered outstanding performances,
making it worthwhile to stay until the end.
Al Martin, Prof. Corey and Marty Fischer
The New York Comedy Expo shows tremendous potential. It embraces comedians of all
levels and ages and has successfully created a vehicle that brings together talent and
industry under one roof, giving them a rare and much needed opportunity to share
knowledge and network.
Comic Feedback on the New York Comedy Expo
By Amy Patrick, Associate Editor
"Meet the Experts" Panel
On a nice, slightly overcast day
I made my way to The New
York Comedy Expo. I attended
the afternoon workshop, “Meet
the Experts” that was followed
by a discussion explaining the
pitch process.
The end result was that the roundtable discussion
was done in a similar fashion to speed dating and
the comics pitched in this format, so the second
event was considered part of the first event.

The talent turnout was light and most of the people
were actors, not comics. As a comic and writer, I felt
a little out of place. The talent agents did not have
comics as clients and with the exception of Ken
Pringle from Chucklemonkey.com and Silver
Saundors-Friedman, who was a former comedy club
owner, most of the “experts” were in the acting field.

I had a chance to watch the event and observe
some of the interactions. I also had a chance to talk
to a few of the panelists. I found out that there was
some good advice for comics. Unfortunately, most
new comics have day jobs and may not be able
spend thirty bucks for this experience.

If the goal was to help comics, it did not succeed.
There were people who could have imparted
knowledge, but many people hogged time with the
experts and there was not a real flow that might
have been there if a traditional format was followed.

So, I left disappointed. Many attendees seemed to
enjoy it and had a great time. I heard several
people say that they got a lot out of it. The
workshop should focus more on comedy instead of
acting and be more organized. There is potential,
but it needs a little more oomph.

I caught up with Ken Pringle of Chucklemonkey.com
and asked him three questions. As a road comic
from the West Coast, he brought a different
perspective.

Q&A with Ken Pringle, Chunklemonkey.com

What is the biggest mistake new comics make?

People shouldn’t worry about being “seen” too soon,
they should, however, be worried about selling
themselves too soon. You only have one chance to
make a first impression.

What is your advice to aspiring comics?

Set realistic goals, have a list of big goals along with
a list of smaller goals. Use the small goals as your
marker to getting to the bigger ones.

When is someone “ready?"
You’re ready when you don’t have to ask that
question.
Western Union D2B
SHERRY HELLING
Comedian, Prattville, AL

The Expo was life changing really.
I had only done four open mics in
the south and flew out to NYC for
the Expo. I was hoping for an
answer if I should get into
comedy or not and it came with a
resounding "yes."

The "Becoming a Stand Up"  
workshop was very helpful. It
showed us how to prepare a
media kit, headshots, sound
bites, and importance of creating
a website. The networking events
were great because you were able
to talk one on one with industry
professionals, fellow comedians,
and special guests like Richard
Pryor, Jr. and Robert Klein.

"The Funny World of Publishing"
workshop was extremely informa-
tive. Plus I received two books
signed by the authors signature
for free. The tour of
MAD maga-
zine was a wonderful opportunity.
The senior editor gave us his
email and asked us to send ideas
and submissions to him.

The dedication and ribbon cutting
for the Richard Pryor room was a
"once-in-a-lifetime" opportunity.
I am so grateful to all the panel-
ists, comedians, and especially to
Marty Fischer, Al Martin, and Silver
Saundors-Friedman for their input
and positive energy.  

They could have just thrown some
speakers together and took our
money, but they didn't. They were
organized, helpful and informa-
tive.
©2006 STAGE TIME - The Magazine That Stands Up For Comedy. All rights reserved.
Reproduction of material in whole or in part without permission is prohibited.
 
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The Magazine That Stands Up For Comedy
Vol. 1 No. 4